ChansonRolandV7, Main, Exploration, bibRecord, 000452

Ut pictura poesis : le cas de La Chanson de Roland

Identifieur interne : 000452 ( Main/Exploration ); précédent : 000451; suivant : 000453

Ut pictura poesis : le cas de La Chanson de Roland

Auteurs : Christophe Chaguinian [États-Unis]

Source :

Neophilologus [ 0028-2677 ] ; 2011.

RBID : ISTEX:E6CC3890996AA9313111E26F8FCA470FC6F7B56A

English descriptors

Teeft :
- Ainsi, Assez, Aussi, Autres, Avec, Avon, Blanc, Celui, Cette, Chaguinian, Chanson, Coll, Comme, Concret, Connaissance, Constructive editing, Conteur, Critique, Dire, Donc, Dont, Effet, Effets, Effets particuliers, Elle, Elles, Encore, Entre, Exemple, Explique, Faisant, Fait, Faits, Faral, Forme, Ganelon, Geste, Gros, Gros plan, Idem, Laisse, Lanson, Lecteur, Leur, Marsile, Moderne, Moins, Montage, Montre, Moyen, Narrateur, Narrateur omniscient, Narration, Neutre, Notre appareil visuel, Notre connaissance, Objet, Parataxe, Passe, Peeters, Permet, Personnage, Personnages, Peut, Plan moyen, Present tense, Produit, Puisque, Quant, Roland, Roman flaubertien, Roman moderne, Selon, Semble, Sont, Sou, Souligne, Technique favorables, Telle, Temp, Termes, Texte, Textes, Trouve, Uvre, Vers, Visage, Visualisation, Visuel, Visuelle, Xixe, Yeux.

Abstract

Abstract: For a long time, students of the Chanson de Roland—G. Paris, G. Lanson, E. Faral, P. Le Gentil, G. Moignet, to name a few—have indicated that the work is highly visual, and that the reader has the impression of seeing the actions being described. In other words, the Chanson is an excellent example of the figure of speech classical rhetoricians call hypotyposis, a lively description used for creating the illusion of reality. Unfortunately the aforementioned scholars have not explained which stylistic devices produce such an effect in the Chanson (and neither have the rhetoricians who defined the trope). The goal of this article is to take stock of these various means: concrete vocabulary, neutral narration, paratactic construction, use of the present tense, montage etc., all of which contribute to rendering this composition highly visual. The analysis makes use of data produced by cognitive psychologists who study contexts in which verbal information lends itself to visualization. An unexpected consequence of the analysis of the Chanson de Roland from this perspective is the revelation of its stylistic ‘modernity’, since scholars associate the birth of the ‘modern novel’, in the 19th century, with the generalization of such techniques.

Url:

https://api.istex.fr/ark:/67375/VQC-XP6ZHVZT-N/fulltext.pdf

DOI: 10.1007/s11061-010-9198-0

Affiliations:

Links toward previous steps (curation, corpus...)

to stream Istex, to step Corpus: 000004
to stream Istex, to step Curation: 000004
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to stream Main, to step Curation: 000452

Le document en format XML

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<term>Avon</term>
<term>Blanc</term>
<term>Celui</term>
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<term>Elles</term>
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<term>Explique</term>
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<term>Fait</term>
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<term>Lanson</term>
<term>Lecteur</term>
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<term>Moins</term>
<term>Montage</term>
<term>Montre</term>
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<term>Uvre</term>
<term>Vers</term>
<term>Visage</term>
<term>Visualisation</term>
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<term>Visuelle</term>
<term>Xixe</term>
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<front><div type="abstract" xml:lang="en">Abstract: For a long time, students of the Chanson de Roland—G. Paris, G. Lanson, E. Faral, P. Le Gentil, G. Moignet, to name a few—have indicated that the work is highly visual, and that the reader has the impression of seeing the actions being described. In other words, the Chanson is an excellent example of the figure of speech classical rhetoricians call hypotyposis, a lively description used for creating the illusion of reality. Unfortunately the aforementioned scholars have not explained which stylistic devices produce such an effect in the Chanson (and neither have the rhetoricians who defined the trope). The goal of this article is to take stock of these various means: concrete vocabulary, neutral narration, paratactic construction, use of the present tense, montage etc., all of which contribute to rendering this composition highly visual. The analysis makes use of data produced by cognitive psychologists who study contexts in which verbal information lends itself to visualization. An unexpected consequence of the analysis of the Chanson de Roland from this perspective is the revelation of its stylistic ‘modernity’, since scholars associate the birth of the ‘modern novel’, in the 19th century, with the generalization of such techniques.</div>
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Serveur d'exploration sur la Chanson de Roland

Ut pictura poesis : le cas de La Chanson de Roland

Ut pictura poesis : le cas de La Chanson de Roland

Source :

English descriptors

Abstract

Links toward previous steps (curation, corpus...)

Le document en format XML

Pour manipuler ce document sous Unix (Dilib)

Pour mettre un lien sur cette page dans le réseau Wicri